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YYYYYY X. YYYYYY
1403 Avenue H ¾ Xxxxxx, XXXXXX xxxxxx ¾H: (xxx-xxx-xxxx ¾ C: (xxx-xxx-xxxx ¾abc@xyz.com
Dynamic, ambitious and creative Media Professional offering over 10 years of experience in video production, camera operations and photography. Eager to contribute strong organizational, communication, creativity, and leadership skills toward supporting the goals of a progressive media compaxxxxxx. Core competencies include:
Camera and Lighting Techniques
Video Production and Editing
Meet Deadlines/Timelines
Sound and Set Design
Excellent Communication Skills
Media Production
Dissemination Techniques
Sound Principles and Processes
Interpret Customer Requirements
Contribute Artistic
Direction
Professional Qualifications
Solid ability to compose and frame individual shots; incorporate all aspects of light, lenses, film, filters, and camera settings to achieve the required effects.
Work with a multidisciplinary team of directors, producers and creative development professionals to produce the desired shots.
Leverage extensive camera operations experience to direct camera operators on camera setups, angles, distances, movement, and cues for starting and stopping filming.
Proficient in the use of High Definition, DigiBeta, DVCPRO, Betacam SP, DVCAM, 35 mm, 16 mm film cameras, Arriflex, Aaton, and Éclair.
Camera Operations: Panasonic 2/3' AJ HPX-2000 (P2 HD Camcorder), Soxxxxxx DSR-500WSL, Fujinon 20x, Wide angle Converters, Vinten 5LF Tripod, Bogen Art540,Zoom and focus controls.
Camera Light: Sachtler Reporter, Frezzi, Ultralight, Lighting C Dedolight, Sachtler Reporter HMI 200W, Chimeras, Lowell Kit, and Reflectors.
Sound: Shure 32A Field Mixer, Lectrosonics Digital Wireless 401 and SR5P, Audio Technica UHF-101 Wireless System with Tram, Soxxxxxx 77B, Shootgun AKG C568, Rode NTG2, Sennheizer 850, K-Teck Boom Pole, Headphones Soxxxxxx 7506.
Monitors: Panasonic HD 7.9', Soxxxxxx 8045. Soxxxxxx 5 LCD Camera Monitor and ABC superlight weight Jib Crane 18 / 12 / 9 support up to 28 pound camera.
Professional History
Freelance Camera Operations 2004 to Present
Establish and maintain business relationships with clients from all industries and interests; provide camera operation services for news programs, documentaries, corporate communication and educational videos.
Key clients include; General Electric Finance, Tom Ford, Navigator Insurance Compaxxxxxx, Sikorsky Aircraft, Yale University, Chocolate Printing Compaxxxxxx and the Diocese of Xxxxxx.
Filmed concerts in Fox Woods, Mozart Celebration, Time Out weekly program and The Pope s visit for Prayer Canal.
Creative Video Corp. Stamford, CT 2003 to 2004
Director of Photography
Led the creation of a series of corporate videos for General Electric Compaxxxxxx; operated hand held and tripod cameras with expertise, and supervised lighting and sound crews in the studio and on location.
Received The Communicator and Mar Com awards for creative videography.
YYYYYY X. YYYYYY
1403 Avenue H ¾ Xxxxxx, XXXXXX xxxxxx ¾H: (xxx-xxx-xxxx ¾ C: (xxx-xxx-xxxx ¾abc@xyz.com
Page 2
Maintained accountability for shoot scheduling, worked with talent, camera crew editors to conceptualize shoot and delivered projects on time and on budget.
Responsible for the weekly, multi-camera program on Our Talented Children and My Song , for local Xxxxxx programming, as well as documentaries and live programs.
Provided multi-camera operations for the taping of Off Broadway Theatre shows, the Prayer Channels Video Communications, and RTTV International News daily segment productions.
Prayer Channel Trans Video Communications, Xxxxxx, XXXXXX 2002 to 2003
Cablevision, Channel 30, Camera operator, DP
Provided leadership and creative direction, camera work, lighting and sound design for On the Road with Bishop DiMarzio ; a daily 10 minute document series.
Freelance Video and Film Photographer, Xxxxxx, XXXXXX 2001 to 2002
Produced commercials and reports for International broadcast RTVI including a 26-minute documentary series Collection of Illusions for Russian broadcast TV-6.
Provided multi-camera operations for Saint Anne Theatre performances including Barber of Seville, Hiroshima C My Love, Poppies, The Seagull 2086
TVR Network International Channel, Xxxxxx, XXXXXX 2000 to 2001
Performed photographer duties for One American , a 15-minute weekly documentary; organized studio and location shoots, and contributed to sound, lighting and set design.
Channel TV-6, Field Reporter & Videographer, Xxxxxx, XXXXXX and Moscow, Russia 1998 to 2000
Produced, directed and edited segments on culture and lifestyle for a nationwide news program, and created a 10 minute program on Italian history throughout XXXXXXC, which aired twice a week.
State Movie Studio, Moscow, Russia 1996 to 1998
Operated cameras and managed lighting design, produced films using A and B cameras, 35mm film.
Education
Moscow Academy of Cinematography - Master s Degrees in Film and Television
Moscow Institute of Telecommunications - Master s Degree in Telecommunications
YYYYYY X. YYYYYY
1403 Avenue H ¾ Xxxxxx, XXXXXX xxxxxx ¾H: (xxx-xxx-xxxx ¾ C: (xxx-xxx-xxxx ¾abc@xyz.com
<Date>
<Hiring Contact Name>
< Title>
<Compaxxxxxx Name>
<Address>
<City, ST Zip>
Dear Mr./Ms. ____:
Camera operations, set design and lighting is a role that is typically played behind the scenes of a film or series production, but it is truly a critical component to the success or failure of a project. As a highly experienced, creative and knowledgeable leader in camera operations, videography, set design, and creative development, I know that my expertise is integral to the final product , and I am up to the challenge.
With over 20 years of experience, I have the proven ability to establish the high performance standards you are seeking. I am anxious to utilize my sound camera operations, supervisory and customer relations skills toward supporting your corporate objectives.
The accompaxxxxxxing resume can give you an overview of my potential for making a worthwhile contribution to <firm or compaxxxxxx name>. As a proven leader, I believe it would be mutually beneficial for us to meet. I will call next week to inquire about the possibility of meeting to discuss your organization s goals and how I can help you meet them.
Thank you for your time and consideration.
Sincerely,
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